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Otto wedging clay

Uncle Otto's grand niece came for her second summer visit; they made a tile, pinch pot and weed pot together. In addition she had the privilege to name the new glaze that he had just taken from the kiln!

 

 

Otto glazing

 

 

Otto with finished pot

 

Otto presents a pot

 

 

 

 

 

 

Photographs:©Helen Heino

Craft ConnectionsThe Pottery

If you ever visit The Pottery, you may notice several kilns around the studio. There are now two kiln rooms here at The Pottery for the nine kilns. All are gas fired; even the salt and wood are started with gas. There are two wood kilns now and one for salt glaze. The gas company thinks he's a great client and Otto goes through 50 cords of wood and 832 pounds of rock salt in one year!

Otto fires HOT! His temperatures have reached over 2500°F. Otto uses a high-fire, reduction process when making his pots. In a kiln, reduction is accomplished by shutting off air (the amount of oxygen) into the kiln so oxygen is pulled out of the clay instead.

Consistency is the trick when firing kilns, because there are so many variables! What temperature, what changes are made and when, which type of kiln to use, when to reduce clay, where the pots sit in the kiln, what they sit next to... It's a lot to figure out!

 

 

 

 

 

 

Demonstration Otto and Brooke

Otto gives a special wedging and throwing demonstration

Otto's new summer apprentice: visiting grand-niece Brooke

A favorite tool

A Seasoned Tool

Brooke making tiles

 

Otto in glazing studio
The kilns at the Pottery
In the glazing studio
The kiln room at the Pottery
Otto & Olga
Otto/Olga salt glazing
Otto salt glazing with baby sister Olga.
Otto removing the brick; Olga ready to throw in the salt.
Otto opening the salt kiln
Salt kiln

Opening the vault...

Checking the final results.
salt-glazed treasures
Salt Kiln